Landi is a father who secretly camps in the marshlands of Zapata, where he hunts crocodiles with his hands to feed his family. The radio reports hundreds of daily deaths from the pande-mic and strong social tensions in Cuba. On the coast, his wife Mercedes searches for charcoal to cook and takes care of their son, who suffers from severe autism. Days go by, and Mercedes becomes impatient. Landi should have returned by now, and there is no news of him. She fears something has happened to him, but she cannot say anything to avoid giving them away. He finally appears, carrying the food that enables them to survive, before having to return to the marsh. Their lives are a cycle, plagued by need and absence.

Massie, Addi, Lylybeth and Joy are four non-binary artists at a turning point in their careers on Brussels’ burgeoning drag scene. While this chosen family is close-knit and supportive, their blood family often has difficulty understanding their identity and their profession. Many truths and emotions remain unspoken.

Their shows, sometimes very funny, sometimes very dark, often both, are directly inspired by their daily struggles. The stage allows them to express their gender identities. It’s also their livelihood and the place where they draw the energy to force their way into our society.

As their performances become increasingly notable, a quest for identity and artistic recognition takes shape. These artists aspire to something essential: the need to embrace who you are and, above all, to be accepted for who you are.