Eine in ihrer Alltagsroutine verfangene Frau entdeckt eines
Tages ein pechschwarzes, öliges Wesen in ihrem Wandschrank, dessen viele Tentakel sie erst erschrecken, dann beglücken. Ähnliche
Kreaturen tauchen noch an anderen Orten der Großstadt auf und schaffen neue Perspektiven auf Tetsuo-Trilogie erinnerndem Furor
inszeniert er eine Tentakel-Fantasie als melancholische Metropolen-Ballade mit sozialutopischem Potenzial. Sind Monster die
letzte Hoffnung für die Menschheit?
TICKETS https://slashfilmfestival.com/programm-2021/extraneous-matter-complete-edition/
Kenichi Ugana
Ugana, Kenichi was born in Tokyo in 1984 and studied Business Administration. Aspiring to become a film director, he started making independent movies in 2005. His theatrical debut was in 2016 with Ganguro-Gals Riot, followed in quick succession by Good-Bye Silence, Wild Virgins, and Rolling Marbles. His short film series Extraneous Matter has been selected for more than sixty festivals in eighteen countries.
Ugana, Kenichi was born in Tokyo in 1984 and studied Business Administration. Aspiring to become a film director, he started making independent movies in 2005. His theatrical debut was in 2016 with Ganguro-Gals Riot, followed in quick succession by Good-Bye Silence, Wild Virgins, and Rolling Marbles. His short film series Extraneous Matter has been selected for more than sixty festivals in eighteen countries.
